I Go - Maurice Fulton Remix
30s preview
- BPM
- 114
- Open Key
- 4m
- Energy
- 65/100
- Pop
- 21/100
- Length
- 6:19
- Released
- 2022
- Album
- I Go (Remixes)
- Genre
- House
- Label
- Gudu Records
- Loudness
- -10.4 dB
- Dynamics
- 15.2 dB
- ISRC
- GBJX32275012
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- I Go - DJ Koze Remixremix12A · 124
- I Go - Soulwax Remixremix1A · 125
- I Gooriginal1B · 120
- I Go - Editversion1B · 120
- I Go (Soulwax remix)remix1B · 120
Against the original (1B at 120 BPM), this version runs 6 BPM slower and moves the key from 1B to 11A.
At 114 BPM in F♯ minor (11A), I Go - Maurice Fulton Remix is a mid-tempo house production. The feel is bright and euphoric. The groove is strong and floor-ready. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 15 dB). Calmer than 92% of Peggy Gou's catalogue. In a set it works best as a mid-set roller.
- Tempo:
- slower than 92% of Peggy Gou's catalogue
- Low end:
- more bass-heavy than 89% of Peggy Gou's catalogue
- Groove:
- groovier than 77% of Peggy Gou's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 40%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 18%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is I Go - Maurice Fulton Remix in?
I Go - Maurice Fulton Remix by Peggy Gou is in F♯ minor, or 11A on the Camelot wheel.
What BPM is I Go - Maurice Fulton Remix?
I Go - Maurice Fulton Remix runs at 114 BPM, a mid-tempo track.
What mixes well with I Go - Maurice Fulton Remix?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is I Go - Maurice Fulton Remix good for peak time?
With energy 65 out of 100 at 114 BPM, it works best as a mid-set roller.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 114 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 107-121 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 114 — beatmatch without a big tempo pull.
More house
More from Peggy Gou
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 114 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
