Distant Planets - Mario Basanov Vocal Remix
30s preview
- BPM
- 115
- Open Key
- 6m
- Energy
- 86/100
- Pop
- 4/100
- Length
- 6:25
- Released
- 2019
- Album
- Distant Planets
- Genre
- House
- Label
- Runemark
- Loudness
- -10.2 dB
- Dynamics
- 14.6 dB
- ISRC
- GBLV61918916
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Distant Planetsoriginal2B · 122
- Distant Planets - Phun Thomas Remixremix1B · 124
Against the original (2B at 122 BPM), this version runs 7 BPM slower and moves the key from 2B to 1A.
At 115 BPM in A♭ minor (1A), Distant Planets - Mario Basanov Vocal Remix is a mid-tempo house production. The groove is strong and floor-ready. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 15 dB). Slower than 99% of Rafael Cerato's catalogue.
- Brightness:
- brighter than 96% of Rafael Cerato's catalogue
- Groove:
- groovier than 95% of Rafael Cerato's catalogue
- Low end:
- more treble-tilted than 82% of Rafael Cerato's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 33%
- Low
- 30-130 Hz
- 32%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is Distant Planets - Mario Basanov Vocal Remix in?
Distant Planets - Mario Basanov Vocal Remix by Rafael Cerato is in A♭ minor, or 1A on the Camelot wheel.
What BPM is Distant Planets - Mario Basanov Vocal Remix?
Distant Planets - Mario Basanov Vocal Remix runs at 115 BPM, a mid-tempo track.
What mixes well with Distant Planets - Mario Basanov Vocal Remix?
From 1A it blends harmonically with 2A, 1B, 12A. Moving to 2A lifts the energy a step.
Is Distant Planets - Mario Basanov Vocal Remix good for peak time?
With energy 86 out of 100 at 115 BPM, it works best as a floor-filler.
Mixes harmonically
1A → 12A · 2A · 1BFrom 1A, 2A (E♭ minor) lifts the energy a step; 1B (B major) brightens to the relative major; 12A (D♭ minor) cools the energy down a step.
How to mix it
In 1A at 115 BPM: 2A (E♭ minor) — move to 2A to push the floor harder; 1B (B major) — switch to 1B for a mood change without losing the groove; 12A (D♭ minor) — drop to 12A to bring the room down gently.
Pitch range at ±6%: 108-122 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8A rather than 1A; below -5% it reads as 6A. With key lock on, it stays 1A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 115 — beatmatch without a big tempo pull.
More house
More from Rafael Cerato
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 115 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
