I Don't Speak About House - Original Mix
30s preview
- Key
- 4A · F minor
- BPM
- 124
- Open Key
- 9m
- Energy
- 42/100
- Pop
- 5/100
- Length
- 5:58
- Released
- 2011
- Album
- I Don't Speak About House
- Genre
- Deep House
- Loudness
- -10.6 dB
- Dynamics
- 12.0 dB
- ISRC
- NLPL71100021
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- I Don't Speak About House - Lewis Ferrier Remixremix3B · 124
- I Don't Speak About House - Mr. Moon Remixremix4A · 126
- I Don't Speak About House - Sellouts Remixremix8B · 120
I Don't Speak About House - Original Mix runs 124 BPM in F minor (4A), a club-tempo deep house record. It reads as dark and steady. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 12 dB). A 2011 production that still circulates in sets. Calmer than 95% of Pablo Fierro's catalogue. For programming, treat it as a warm-up or breakdown cut.
- Brightness:
- darker than 93% of Pablo Fierro's catalogue
- Groove:
- groovier than 84% of Pablo Fierro's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 39%
- Low
- 30-130 Hz
- 32%
- Low-mid
- 130-570 Hz
- 18%
- Upper-mid
- 570 Hz-2.5 kHz
- 12%
- High
- 2.5-11 kHz
FAQ
What key is I Don't Speak About House - Original Mix in?
I Don't Speak About House - Original Mix by Pablo Fierro is in F minor, or 4A on the Camelot wheel.
What BPM is I Don't Speak About House - Original Mix?
I Don't Speak About House - Original Mix runs at 124 BPM, a club-tempo track.
What mixes well with I Don't Speak About House - Original Mix?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is I Don't Speak About House - Original Mix good for peak time?
With energy 42 out of 100 at 124 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 124 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
More deep house
More from Pablo Fierro
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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