I Don't Speak About House - Mr. Moon Remix
30s preview
- Key
- 4A · F minor
- BPM
- 126
- Open Key
- 9m
- Energy
- 70/100
- Pop
- 0/100
- Length
- 5:30
- Released
- 2011
- Album
- I Don't Speak About House
- Genre
- Deep House
- Loudness
- -7.5 dB
- Dynamics
- 13.9 dB
- ISRC
- NLPL71100022
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- I Don't Speak About House - Original Mixoriginal4A · 124
- I Don't Speak About House - Lewis Ferrier Remixremix3B · 124
- I Don't Speak About House - Sellouts Remixremix8B · 120
Against the original (4A at 124 BPM), this version runs 2 BPM faster in the same key.
I Don't Speak About House - Mr. Moon Remix is a club-tempo deep house track in F minor (4A) at 126 BPM. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 14 dB). A 2011 production that still circulates in sets. Brighter than 99% of Pablo Fierro's catalogue. In a set it works best as a mid-set roller.
- Reach:
- more underground than 99% of Pablo Fierro's catalogue
- Tempo:
- faster than 97% of Pablo Fierro's catalogue
- Low end:
- more treble-tilted than 89% of Pablo Fierro's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 33%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is I Don't Speak About House - Mr. Moon Remix in?
I Don't Speak About House - Mr. Moon Remix by Pablo Fierro is in F minor, or 4A on the Camelot wheel.
What BPM is I Don't Speak About House - Mr. Moon Remix?
I Don't Speak About House - Mr. Moon Remix runs at 126 BPM, a club-tempo track.
What mixes well with I Don't Speak About House - Mr. Moon Remix?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is I Don't Speak About House - Mr. Moon Remix good for peak time?
With energy 70 out of 100 at 126 BPM, it works best as a mid-set roller.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 126 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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