Double Faces - Original Mix
30s preview
- Key
- 9B · G major
- BPM
- 126
- Open Key
- 2d
- Energy
- 70/100
- Pop
- 5/100
- Length
- 6:13
- Released
- 2017
- Album
- Horizon
- Genre
- Techno
- Loudness
- -7.0 dB
- Dynamics
- 9.2 dB
- ISRC
- IT8VL1700007
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Double Faces - Honey Dijon Remixremix10A · 125
Double Faces - Original Mix is a club-tempo techno track in G major (9B) at 126 BPM. Tonally it lands punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2017 production that still circulates in sets. Groovier than 93% of Marco Faraone's catalogue. In a set it works best as a mid-set roller.
- Brightness:
- brighter than 83% of Marco Faraone's catalogue
- Reach:
- better known than 80% of Marco Faraone's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 42%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 18%
- Upper-mid
- 570 Hz-2.5 kHz
- 12%
- High
- 2.5-11 kHz
FAQ
What key is Double Faces - Original Mix in?
Double Faces - Original Mix by Marco Faraone is in G major, or 9B on the Camelot wheel.
What BPM is Double Faces - Original Mix?
Double Faces - Original Mix runs at 126 BPM, a club-tempo track.
What mixes well with Double Faces - Original Mix?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is Double Faces - Original Mix good for peak time?
With energy 70 out of 100 at 126 BPM, it works best as a mid-set roller.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 126 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More techno
More from Marco Faraone
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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