Ten Dates by Oliver Schories cover art

30s preview

Key
11A · F♯ minor
BPM
120
Open Key
4m
Energy
85/100
Pop
14/100
Length
4:54
Released
2023
Genre
Deep House
Label
Pracht
Loudness
-10.0 dB
Dynamics
9.6 dB
ISRC
DEY472377673

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 120 BPM in F♯ minor (11A), Ten Dates is a club-tempo deep house production. It reads as dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Less groove-driven than 98% of Oliver Schories's catalogue. In a set it works best as a mid-set roller.

Tempo:
slower than 97% of Oliver Schories's catalogue
Brightness:
darker than 96% of Oliver Schories's catalogue
Energy:
hotter than 89% of Oliver Schories's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy85
Mood4Dark
Groove54
Acoustic3
Instrumental72
Live10
Speech4

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
40%
Low
30-130 Hz
30%
Low-mid
130-570 Hz
20%
Upper-mid
570 Hz-2.5 kHz
11%
High
2.5-11 kHz

FAQ

What key is Ten Dates in?

Ten Dates by Oliver Schories is in F♯ minor, or 11A on the Camelot wheel.

What BPM is Ten Dates?

Ten Dates runs at 120 BPM, a club-tempo track.

What mixes well with Ten Dates?

From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.

Is Ten Dates good for peak time?

With energy 85 out of 100 at 120 BPM, it works best as a mid-set roller.

Mixes harmonically

11A10A · 12A · 11B

From 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.

Every move from 11A

12ASimple Mix Upper
10ASimple Mix Downer
11BTonal Shift·
12BDiagonal Mix Upper
10BDiagonal Mix Downer
8BCompatible Tone·
1AHigh Energy Boost▲▲▲
9AHigh Energy Drain▼▼▼
2AParallel Key Upper▲▲
8AParallel Key Downer▼▼
6ATritone Jump▲▲
3ARelated Keyrisky

How to mix it

In 11A at 120 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.

Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 120 — beatmatch without a big tempo pull.

More deep house

More from Oliver Schories

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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