Summer's End by Massane cover art

Summer's End

Massane

30s preview

Key
10A · B minor
BPM
120
Open Key
3m
Energy
80/100
Pop
49/100
Length
3:18
Released
2020
Genre
Progressive House
Loudness
-10.8 dB
Dynamics
11.5 dB
ISRC
GBEWA1908093

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A club-tempo progressive house cut, Summer's End sits in B minor (10A) at 120 BPM. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 12 dB). Better known than 96% of Massane's catalogue.

Tempo:
slower than 93% of Massane's catalogue
Groove:
less groove-driven than 88% of Massane's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy80
Mood11Dark
Groove54
Acoustic5
Instrumental96
Live60
Speech4

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
36%
Low
30-130 Hz
29%
Low-mid
130-570 Hz
22%
Upper-mid
570 Hz-2.5 kHz
14%
High
2.5-11 kHz

FAQ

What key is Summer's End in?

Summer's End by Massane is in B minor, or 10A on the Camelot wheel.

What BPM is Summer's End?

Summer's End runs at 120 BPM, a club-tempo track.

What mixes well with Summer's End?

From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.

Is Summer's End good for peak time?

With energy 80 out of 100 at 120 BPM, it works best as a mid-set roller.

Mixes harmonically

10A9A · 11A · 10B

From 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.

#Track

Every move from 10A

11ASimple Mix Upper
9ASimple Mix Downer
10BTonal Shift·
11BDiagonal Mix Upper
9BDiagonal Mix Downer
7BCompatible Tone·
12AHigh Energy Boost▲▲▲
8AHigh Energy Drain▼▼▼
1AParallel Key Upper▲▲
7AParallel Key Downer▼▼
5ATritone Jump▲▲
2ARelated Keyrisky

How to mix it

In 10A at 120 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.

Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 120 — beatmatch without a big tempo pull.

More progressive house

More from Massane

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track