Love Is Not Enough - Jody Wisternoff & James Grant Remix
30s preview
- Key
- 5A · C minor
- BPM
- 120
- Open Key
- 10m
- Energy
- 78/100
- Pop
- 21/100
- Length
- 5:52
- Released
- 2016
- Album
- Anjunadeep 08
- Genre
- Deep House
- Label
- Anjunadeep
- Loudness
- -11.8 dB
- Dynamics
- 11.2 dB
- ISRC
- GBEWA1601708
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 120 BPM in C minor (5A), Love Is Not Enough - Jody Wisternoff & James Grant Remix is a club-tempo deep house production. The feel is dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 11 dB). A 2016 production that still circulates in sets. Slower than 88% of James Grant's catalogue.
- Groove:
- less groove-driven than 76% of James Grant's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 38%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 12%
- High
- 2.5-11 kHz
FAQ
What key is Love Is Not Enough - Jody Wisternoff & James Grant Remix in?
Love Is Not Enough - Jody Wisternoff & James Grant Remix by James Grant is in C minor, or 5A on the Camelot wheel.
What BPM is Love Is Not Enough - Jody Wisternoff & James Grant Remix?
Love Is Not Enough - Jody Wisternoff & James Grant Remix runs at 120 BPM, a club-tempo track.
What mixes well with Love Is Not Enough - Jody Wisternoff & James Grant Remix?
From 5A it blends harmonically with 6A, 5B, 4A. Moving to 6A lifts the energy a step.
Is Love Is Not Enough - Jody Wisternoff & James Grant Remix good for peak time?
With energy 78 out of 100 at 120 BPM, it works best as a mid-set roller.
Mixes harmonically
5A → 4A · 6A · 5BFrom 5A, 6A (G minor) lifts the energy a step; 5B (E♭ major) brightens to the relative major; 4A (F minor) cools the energy down a step.
How to mix it
In 5A at 120 BPM: 6A (G minor) — move to 6A to push the floor harder; 5B (E♭ major) — switch to 5B for a mood change without losing the groove; 4A (F minor) — drop to 4A to bring the room down gently.
Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 12A rather than 5A; below -5% it reads as 10A. With key lock on, it stays 5A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 120 — beatmatch without a big tempo pull.
More deep house
More from James Grant
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
