Don't Look Down
- BPM
- 124
- Open Key
- 5m
- Energy
- 67/100
- Pop
- 42/100
- Length
- 3:05
- Released
- 2026
- Genre
- Progressive House
- Loudness
- -8.6 dB
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Don't Look Down is a club-tempo progressive house track in D♭ minor (12A) at 124 BPM. It reads as dark and driving. It is vocal-led. Better known than 85% of Massane's catalogue. In a set it works best as a mid-set roller.
- Energy:
- calmer than 78% of Massane's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Don't Look Down in?
Don't Look Down by Massane is in D♭ minor, or 12A on the Camelot wheel.
What BPM is Don't Look Down?
Don't Look Down runs at 124 BPM, a club-tempo track.
What mixes well with Don't Look Down?
From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.
Is Don't Look Down good for peak time?
With energy 67 out of 100 at 124 BPM, it works best as a mid-set roller.
Mixes harmonically
12A → 11A · 1A · 12BFrom 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.
How to mix it
In 12A at 124 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
More progressive house
More from Massane
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
