Melting into the Surroundings
30s preview
- BPM
- 100
- Double-time
- 200
- Open Key
- 8m
- Energy
- 83/100
- Pop
- 18/100
- Length
- 6:21
- Released
- 2019
- Album
- Fire in the Jungle
- Genre
- Tech House
- Label
- Stil Vor Talent
- Loudness
- -10.1 dB
- Dynamics
- 19.7 dB
- ISRC
- DEXO61966863
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Melting into the Surroundings: slow-groove tempo tech house, B♭ minor (3A), 100 BPM. The mix is almost entirely instrumental. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 20 dB). More treble-tilted than 97% of Oliver Koletzki's catalogue. In a set it works best as a floor-filler.
- Tempo:
- slower than 96% of Oliver Koletzki's catalogue
- Brightness:
- darker than 89% of Oliver Koletzki's catalogue
- Energy:
- hotter than 80% of Oliver Koletzki's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 24%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 28%
- Upper-mid
- 570 Hz-2.5 kHz
- 21%
- High
- 2.5-11 kHz
FAQ
What key is Melting into the Surroundings in?
Melting into the Surroundings by Oliver Koletzki is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Melting into the Surroundings?
Melting into the Surroundings runs at 100 BPM, a slow-groove tempo track.
What mixes well with Melting into the Surroundings?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Melting into the Surroundings good for peak time?
With energy 83 out of 100 at 100 BPM, it works best as a floor-filler.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 100 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 94-106 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 100 — beatmatch without a big tempo pull.
More tech house
More from Oliver Koletzki
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 100 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.