Got Me Coming Back Rite Now
30s preview
- BPM
- 102
- Open Key
- 8d
- Energy
- 70/100
- Pop
- 25/100
- Length
- 5:55
- Released
- 2019
- Genre
- Deep House
- Loudness
- -9.7 dB
- Dynamics
- 11.8 dB
- ISRC
- QZCWC1900012
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 102 BPM in D♭ major (3B), Got Me Coming Back Rite Now is a slow-groove tempo deep house production. Tonally it lands dark and driving. Rhythmically it is built for the dancefloor. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). Darker than 96% of Moodymann's catalogue. In a set it works best as a floor-filler.
- Tempo:
- slower than 93% of Moodymann's catalogue
- Energy:
- hotter than 82% of Moodymann's catalogue
- Reach:
- better known than 80% of Moodymann's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 39%
- Low
- 30-130 Hz
- 26%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Got Me Coming Back Rite Now in?
Got Me Coming Back Rite Now by Moodymann is in D♭ major, or 3B on the Camelot wheel.
What BPM is Got Me Coming Back Rite Now?
Got Me Coming Back Rite Now runs at 102 BPM, a slow-groove tempo track.
What mixes well with Got Me Coming Back Rite Now?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Got Me Coming Back Rite Now good for peak time?
With energy 70 out of 100 at 102 BPM, it works best as a floor-filler.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 102 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 96-108 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 102 — beatmatch without a big tempo pull.
More deep house
More from Moodymann
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 102 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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