Colorっぽ by Nobserv cover art

Colorっぽ

Nobserv

Key
12A · D♭ minor
BPM
174
Half-time
87
Open Key
5m
Energy
97/100
Pop
29/100
Length
2:26
Released
2025
Genre
Vocaloid
Loudness
-1.5 dB
ISRC
JP92J2402139

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Colorっぽ is a vocaloid track in D♭ minor (12A) at 174 BPM. Tonally it lands punchy, neutral in mood. The mix is almost entirely instrumental. The master is loud and heavily compressed. Better known than 97% of Nobserv's catalogue. In a set it works best as an opener or closing-set piece.

Energy:
hotter than 96% of Nobserv's catalogue
Tempo:
faster than 85% of Nobserv's catalogue
Groove:
less groove-driven than 82% of Nobserv's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy97
Mood61Balanced
Groove51
Acoustic0
Instrumental71
Live4
Speech23

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Colorっぽ in?

Colorっぽ by Nobserv is in D♭ minor, or 12A on the Camelot wheel.

What BPM is Colorっぽ?

Colorっぽ runs at 174 BPM.

What mixes well with Colorっぽ?

From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.

Is Colorっぽ good for peak time?

With energy 97 out of 100 at 174 BPM, it works best as an opener or closing-set piece.

Mixes harmonically

12A11A · 1A · 12B

From 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.

#Track

Every move from 12A

1ASimple Mix Upper
11ASimple Mix Downer
12BTonal Shift·
1BDiagonal Mix Upper
11BDiagonal Mix Downer
9BCompatible Tone·
2AHigh Energy Boost▲▲▲
10AHigh Energy Drain▼▼▼
3AParallel Key Upper▲▲
9AParallel Key Downer▼▼
7ATritone Jump▲▲
4ARelated Keyrisky

How to mix it

In 12A at 174 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.

Pitch range at ±6%: 164-184 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.

Programming: an opener or closing-set piece.

Similar tempo

Within ±3 BPM of 174 — beatmatch without a big tempo pull.

#Track

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Full profile
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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 174 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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