もないこと
30s preview
- Key
- 8B · C major
- BPM
- 90
- Double-time
- 180
- Open Key
- 1d
- Energy
- 81/100
- Pop
- 5/100
- Length
- 2:47
- Released
- 2024
- Genre
- Vocaloid
- Loudness
- -10.1 dB
- Dynamics
- 15.1 dB
- ISRC
- JPW462451315
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- 聖人君子でありたい (feat. 重音テト)original6B · 174
- かみさまべにうめをせにさかせたる (feat. 重音テト)original10A · 73
- 散財讃歌 (feat. 重音テト)original4A · 138
- 命短し恋せよキメラ (feat. 重音テト)original4A · 168
- ドレスコード (feat. 初音ミク&重音テト)original3B · 132
- だめにんげんだ! (feat. 重音テト)original11B · 90
At 90 BPM in C major (8B), もないこと is a slow-groove tempo vocaloid production. Tonally it lands bright and euphoric. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 15 dB). Slower than 97% of Nobserv's catalogue. In a set it works best as an opener or closing-set piece.
- Low end:
- more bass-heavy than 86% of Nobserv's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is もないこと in?
もないこと by Nobserv is in C major, or 8B on the Camelot wheel.
What BPM is もないこと?
もないこと runs at 90 BPM, a slow-groove tempo track.
What mixes well with もないこと?
From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.
Is もないこと good for peak time?
With energy 81 out of 100 at 90 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
8B → 7B · 9B · 8AFrom 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.
How to mix it
In 8B at 90 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.
Pitch range at ±6%: 85-95 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 90 — beatmatch without a big tempo pull.
More vocaloid
More from Nobserv
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 90 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
