Ain't Nobody - Goodwill Remix
30s preview
- BPM
- 126
- Open Key
- 4d
- Energy
- 78/100
- Pop
- 0/100
- Length
- 6:44
- Released
- 2008
- Album
- Ain't Nobody
- Genre
- Progressive House
- Label
- Not On Label
- Loudness
- -9.3 dB
- Dynamics
- 11.3 dB
- ISRC
- GBHAD1801240
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Ain't Nobody - Original Mixoriginal2A · 125
Against the original (2A at 125 BPM), this version runs 1 BPM faster and moves the key from 2A to 11B.
A club-tempo progressive house cut, Ain't Nobody - Goodwill Remix sits in A major (11B) at 126 BPM. It reads as punchy, neutral in mood. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 11 dB). A 2008 production that still circulates in sets. More underground than 99% of Nick Muir's catalogue. For programming, treat it as a peak-time weapon.
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 26%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Ain't Nobody - Goodwill Remix in?
Ain't Nobody - Goodwill Remix by Nick Muir is in A major, or 11B on the Camelot wheel.
What BPM is Ain't Nobody - Goodwill Remix?
Ain't Nobody - Goodwill Remix runs at 126 BPM, a club-tempo track.
What mixes well with Ain't Nobody - Goodwill Remix?
From 11B it blends harmonically with 12B, 11A, 10B. Moving to 12B lifts the energy a step.
Is Ain't Nobody - Goodwill Remix good for peak time?
With energy 78 out of 100 at 126 BPM, it works best as a peak-time weapon.
Mixes harmonically
11B → 10B · 12B · 11AFrom 11B, 12B (E major) lifts the energy a step; 11A (F♯ minor) settles into the relative minor; 10B (D major) cools the energy down a step.
How to mix it
In 11B at 126 BPM: 12B (E major) — move to 12B to push the floor harder; 11A (F♯ minor) — switch to 11A for a mood change without losing the groove; 10B (D major) — drop to 10B to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6B rather than 11B; below -5% it reads as 4B. With key lock on, it stays 11B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 78/100).
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
![Fall to Pieces [extended mix] by Marsh cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/764397c5f01ad2badd82.webp){kind=small}
More progressive house
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Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
