Ain't Nobody - Original Mix
30s preview
- BPM
- 125
- Open Key
- 7m
- Energy
- 77/100
- Pop
- 7/100
- Length
- 4:29
- Released
- 2008
- Album
- Ain't Nobody
- Genre
- Progressive House
- Label
- Not On Label
- Loudness
- -8.8 dB
- Dynamics
- 14.0 dB
- ISRC
- GBHAD0800115
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Ain't Nobody - Goodwill Remixremix11B · 126
At 125 BPM in E♭ minor (2A), Ain't Nobody - Original Mix is a club-tempo progressive house production. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 14 dB). A 2008 production that still circulates in sets. Brighter than 86% of Nick Muir's catalogue. In a set it works best as a peak-time weapon.
- Groove:
- less groove-driven than 84% of Nick Muir's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Ain't Nobody - Original Mix in?
Ain't Nobody - Original Mix by Nick Muir is in E♭ minor, or 2A on the Camelot wheel.
What BPM is Ain't Nobody - Original Mix?
Ain't Nobody - Original Mix runs at 125 BPM, a club-tempo track.
What mixes well with Ain't Nobody - Original Mix?
From 2A it blends harmonically with 3A, 2B, 1A. Moving to 3A lifts the energy a step.
Is Ain't Nobody - Original Mix good for peak time?
With energy 77 out of 100 at 125 BPM, it works best as a peak-time weapon.
Mixes harmonically
2A → 1A · 3A · 2BFrom 2A, 3A (B♭ minor) lifts the energy a step; 2B (F♯ major) brightens to the relative major; 1A (A♭ minor) cools the energy down a step.
How to mix it
In 2A at 125 BPM: 3A (B♭ minor) — move to 3A to push the floor harder; 2B (F♯ major) — switch to 2B for a mood change without losing the groove; 1A (A♭ minor) — drop to 1A to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9A rather than 2A; below -5% it reads as 7A. With key lock on, it stays 2A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 77/100).
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More progressive house
More from Nick Muir
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
