Freaks Of The Industry
30s preview
- BPM
- 127
- Open Key
- 4m
- Energy
- 96/100
- Pop
- 1/100
- Length
- 6:40
- Released
- 2017
- Album
- Freak Beater EP
- Genre
- Tech House
- Label
- Hot Creations
- Loudness
- -8.3 dB
- Dynamics
- 10.3 dB
- ISRC
- GBK6Y1788002
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Freaks Of The Industry: peak-time tempo tech house, F♯ minor (11A), 127 BPM. It reads as punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2017 production that still circulates in sets. Hotter than 91% of Nathan Barato's catalogue. For programming, treat it as a peak-time weapon.
- Groove:
- groovier than 88% of Nathan Barato's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 38%
- Low
- 30-130 Hz
- 25%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Freaks Of The Industry in?
Freaks Of The Industry by Nathan Barato is in F♯ minor, or 11A on the Camelot wheel.
What BPM is Freaks Of The Industry?
Freaks Of The Industry runs at 127 BPM, a peak-time tempo track.
What mixes well with Freaks Of The Industry?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is Freaks Of The Industry good for peak time?
With energy 96 out of 100 at 127 BPM, it works best as a peak-time weapon.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 127 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 96/100).
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
More tech house
More from Nathan Barato
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
