Orust
30s preview
- BPM
- 127
- Open Key
- 8m
- Energy
- 96/100
- Pop
- 12/100
- Length
- 7:11
- Released
- 2019
- Genre
- Tech House
- Label
- Kompakt Extra
- Loudness
- -9.9 dB
- Dynamics
- 10.2 dB
- ISRC
- DEU671900073
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Orust is a peak-time tempo tech house track in B♭ minor (3A) at 127 BPM. The feel is dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Hotter than 97% of Julian Wassermann's catalogue. For programming, treat it as a peak-time weapon.
- Brightness:
- darker than 97% of Julian Wassermann's catalogue
- Reach:
- better known than 88% of Julian Wassermann's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 38%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 18%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Orust in?
Orust by Julian Wassermann is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Orust?
Orust runs at 127 BPM, a peak-time tempo track.
What mixes well with Orust?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Orust good for peak time?
With energy 96 out of 100 at 127 BPM, it works best as a peak-time weapon.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 127 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 96/100).
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
More tech house
More from Julian Wassermann
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
