On The Floor
30s preview
- Key
- 4A · F minor
- BPM
- 130
- Open Key
- 9m
- Energy
- 94/100
- Pop
- 11/100
- Length
- 3:42
- Released
- 2021
- Genre
- Tech House
- Loudness
- -5.6 dB
- Dynamics
- 15.0 dB
- ISRC
- FRX872102793
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- On The Floor - Extended Mixversion4A · 130
On The Floor is a peak-time tempo tech house track in F minor (4A) at 130 BPM. It reads as punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. The master keeps unusual dynamic range for club music (crest 15 dB). More treble-tilted than 99% of Mihalis Safras's catalogue. In a set it works best as a peak-time weapon.
- Tempo:
- faster than 95% of Mihalis Safras's catalogue
- Reach:
- better known than 94% of Mihalis Safras's catalogue
- Energy:
- hotter than 75% of Mihalis Safras's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 19%
- Low
- 30-130 Hz
- 32%
- Low-mid
- 130-570 Hz
- 27%
- Upper-mid
- 570 Hz-2.5 kHz
- 23%
- High
- 2.5-11 kHz
FAQ
What key is On The Floor in?
On The Floor by Mihalis Safras is in F minor, or 4A on the Camelot wheel.
What BPM is On The Floor?
On The Floor runs at 130 BPM, a peak-time tempo track.
What mixes well with On The Floor?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is On The Floor good for peak time?
With energy 94 out of 100 at 130 BPM, it works best as a peak-time weapon.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 130 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 94/100).
Similar tempo
Within ±3 BPM of 130 — beatmatch without a big tempo pull.
More tech house
More from Mihalis Safras
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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