Chaos Groove
30s preview
- BPM
- 130
- Open Key
- 8m
- Energy
- 93/100
- Pop
- 14/100
- Length
- 5:13
- Released
- 2025
- Album
- Tengo La Musica
- Genre
- House
- Loudness
- -6.7 dB
- Dynamics
- 11.5 dB
- ISRC
- GBKQU2503068
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Chaos Groove runs 130 BPM in B♭ minor (3A), a peak-time tempo house record. It reads as bright and euphoric. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). Faster than 97% of Darius Syrossian's catalogue. In a set it works best as a peak-time weapon.
- Brightness:
- brighter than 97% of Darius Syrossian's catalogue
- Reach:
- better known than 79% of Darius Syrossian's catalogue
- Groove:
- less groove-driven than 76% of Darius Syrossian's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Chaos Groove in?
Chaos Groove by Darius Syrossian is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Chaos Groove?
Chaos Groove runs at 130 BPM, a peak-time tempo track.
What mixes well with Chaos Groove?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Chaos Groove good for peak time?
With energy 93 out of 100 at 130 BPM, it works best as a peak-time weapon.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 130 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 93/100).
Similar tempo
Within ±3 BPM of 130 — beatmatch without a big tempo pull.
More house
More from Darius Syrossian
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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