30s preview
- Key
- 4A · F minor
- BPM
- 128
- Open Key
- 9m
- Energy
- 98/100
- Pop
- 0/100
- Length
- 6:30
- Released
- 2012
- Album
- 5 years of Material
- Genre
- Tech House
- Loudness
- -6.6 dB
- Dynamics
- 11.9 dB
- ISRC
- NLCK41013031
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- D12 - Rino Cerrone Remixremix9A · 126
At 128 BPM in F minor (4A), D12 is a peak-time tempo tech house production. It reads as punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. The master keeps unusual dynamic range for club music (crest 12 dB). A 2012 production that still circulates in sets. More underground than 99% of Mihalis Safras's catalogue. In a set it works best as a peak-time weapon.
- Groove:
- less groove-driven than 93% of Mihalis Safras's catalogue
- Energy:
- hotter than 92% of Mihalis Safras's catalogue
- Low end:
- more treble-tilted than 87% of Mihalis Safras's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 31%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 20%
- High
- 2.5-11 kHz
FAQ
What key is D12 in?
D12 by Mihalis Safras is in F minor, or 4A on the Camelot wheel.
What BPM is D12?
D12 runs at 128 BPM, a peak-time tempo track.
What mixes well with D12?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is D12 good for peak time?
With energy 98 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 128 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 98/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More tech house
More from Mihalis Safras
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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