It's What We Live, It's What We Are - Dub Mix
30s preview
- Key
- 6A · G minor
- BPM
- 123
- Open Key
- 11m
- Energy
- 53/100
- Pop
- 11/100
- Length
- 5:39
- Released
- 2021
- Album
- It's What We Live, It's What We Are
- Genre
- House
- Loudness
- -10.3 dB
- Dynamics
- 12.8 dB
- ISRC
- GBLV62114151
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- It's What We Live, It's What We Are - KenLou Mixoriginal8A · 123
- It's What We Live, It's What We Are - Made In Ibiza Studios Mixoriginal3B · 123
- It's What We Live, It's What We Are - MAW Strippedoriginal6B · 123
A club-tempo house cut, It's What We Live, It's What We Are - Dub Mix sits in G minor (6A) at 123 BPM. Tonally it lands dark and steady. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 13 dB). Darker than 97% of Masters At Work's catalogue. In a set it works best as a mid-set roller.
- Energy:
- calmer than 95% of Masters At Work's catalogue
- Tempo:
- slower than 79% of Masters At Work's catalogue
- Low end:
- more bass-heavy than 77% of Masters At Work's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 39%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 17%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is It's What We Live, It's What We Are - Dub Mix in?
It's What We Live, It's What We Are - Dub Mix by Masters At Work is in G minor, or 6A on the Camelot wheel.
What BPM is It's What We Live, It's What We Are - Dub Mix?
It's What We Live, It's What We Are - Dub Mix runs at 123 BPM, a club-tempo track.
What mixes well with It's What We Live, It's What We Are - Dub Mix?
From 6A it blends harmonically with 7A, 6B, 5A. Moving to 7A lifts the energy a step.
Is It's What We Live, It's What We Are - Dub Mix good for peak time?
With energy 53 out of 100 at 123 BPM, it works best as a mid-set roller.
Mixes harmonically
6A → 5A · 7A · 6BFrom 6A, 7A (D minor) lifts the energy a step; 6B (B♭ major) brightens to the relative major; 5A (C minor) cools the energy down a step.
How to mix it
In 6A at 123 BPM: 7A (D minor) — move to 7A to push the floor harder; 6B (B♭ major) — switch to 6B for a mood change without losing the groove; 5A (C minor) — drop to 5A to bring the room down gently.
Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1A rather than 6A; below -5% it reads as 11A. With key lock on, it stays 6A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 123 — beatmatch without a big tempo pull.
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Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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