It's What We Live, It's What We Are - Made In Ibiza Studios Mix
- BPM
- 123
- Open Key
- 8d
- Energy
- 91/100
- Pop
- 3/100
- Length
- 9:53
- Released
- 2021
- Album
- It's What We Live, It's What We Are
- Genre
- House
- Loudness
- -7.3 dB
- ISRC
- GBLV62114153
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- It's What We Live, It's What We Are - Dub Mixversion6A · 123
- It's What We Live, It's What We Are - KenLou Mixoriginal8A · 123
- It's What We Live, It's What We Are - MAW Strippedoriginal6B · 123
At 123 BPM in D♭ major (3B), It's What We Live, It's What We Are - Made In Ibiza Studios Mix is a club-tempo house production. The mix is almost entirely instrumental. Less groove-driven than 95% of Masters At Work's catalogue. In a set it works best as a mid-set roller.
- Energy:
- hotter than 86% of Masters At Work's catalogue
- Tempo:
- slower than 79% of Masters At Work's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is It's What We Live, It's What We Are - Made In Ibiza Studios Mix in?
It's What We Live, It's What We Are - Made In Ibiza Studios Mix by Masters At Work is in D♭ major, or 3B on the Camelot wheel.
What BPM is It's What We Live, It's What We Are - Made In Ibiza Studios Mix?
It's What We Live, It's What We Are - Made In Ibiza Studios Mix runs at 123 BPM, a club-tempo track.
What mixes well with It's What We Live, It's What We Are - Made In Ibiza Studios Mix?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is It's What We Live, It's What We Are - Made In Ibiza Studios Mix good for peak time?
With energy 91 out of 100 at 123 BPM, it works best as a mid-set roller.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 123 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 123 — beatmatch without a big tempo pull.
More house
More from Masters At Work
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.