The Milky Way by Markus Schulz cover art

The Milky Way

Markus Schulz

Key
10A · B minor
BPM
126
Open Key
3m
Energy
85/100
Pop
0/100
Length
6:07
Released
1996
Genre
Trance
Loudness
-10.3 dB
ISRC
USRK31100198

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A club-tempo trance cut, The Milky Way sits in B minor (10A) at 126 BPM. The feel is punchy, neutral in mood. The groove is strong and floor-ready. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 1996 production that still circulates in sets. Groovier than 99% of Markus Schulz's catalogue. In a set it works best as a peak-time weapon.

Reach:
more underground than 99% of Markus Schulz's catalogue
Brightness:
brighter than 98% of Markus Schulz's catalogue
Tempo:
slower than 87% of Markus Schulz's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy85
Mood62Balanced
Groove86
Acoustic0
Instrumental91
Live5
Speech6

Frequency spectrum

amplitude · bass → treble

FAQ

What key is The Milky Way in?

The Milky Way by Markus Schulz is in B minor, or 10A on the Camelot wheel.

What BPM is The Milky Way?

The Milky Way runs at 126 BPM, a club-tempo track.

What mixes well with The Milky Way?

From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.

Is The Milky Way good for peak time?

With energy 85 out of 100 at 126 BPM, it works best as a peak-time weapon.

Mixes harmonically

10A9A · 11A · 10B

From 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.

#TrackKey·BPM

Every move from 10A

11ASimple Mix Upper
9ASimple Mix Downer
10BTonal Shift·
11BDiagonal Mix Upper
9BDiagonal Mix Downer
7BCompatible Tone·
12AHigh Energy Boost▲▲▲
8AHigh Energy Drain▼▼▼
1AParallel Key Upper▲▲
7AParallel Key Downer▼▼
5ATritone Jump▲▲
2ARelated Keyrisky

How to mix it

In 10A at 126 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.

Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 85/100).

Similar tempo

Within ±3 BPM of 126 — beatmatch without a big tempo pull.

More trance

More from Markus Schulz

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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