Twenty Nine - Black Mix
30s preview
- BPM
- 130
- Open Key
- 9d
- Energy
- 96/100
- Pop
- 3/100
- Length
- 6:45
- Released
- 2006
- Album
- From London with Love
- Genre
- Techno
- Loudness
- -8.8 dB
- Dynamics
- 11.7 dB
- ISRC
- DEAE60600517
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Twenty Nine - Black Mix runs 130 BPM in A♭ major (4B), a peak-time tempo techno record. The groove is loose and less beat-driven. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). A 2006 production that still circulates in sets. Less groove-driven than 99% of Mark Broom's catalogue.
- Brightness:
- darker than 96% of Mark Broom's catalogue
- Energy:
- hotter than 88% of Mark Broom's catalogue
- Low end:
- more treble-tilted than 86% of Mark Broom's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Twenty Nine - Black Mix in?
Twenty Nine - Black Mix by Mark Broom is in A♭ major, or 4B on the Camelot wheel.
What BPM is Twenty Nine - Black Mix?
Twenty Nine - Black Mix runs at 130 BPM, a peak-time tempo track.
What mixes well with Twenty Nine - Black Mix?
From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.
Is Twenty Nine - Black Mix good for peak time?
With energy 96 out of 100 at 130 BPM, it works best as a peak-time weapon.
Mixes harmonically
4B → 3B · 5B · 4AFrom 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.
How to mix it
In 4B at 130 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.
Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 96/100).
Similar tempo
Within ±3 BPM of 130 — beatmatch without a big tempo pull.
More techno
More from Mark Broom
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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