Real Flesh and Blood - Broom's Kick Edit
30s preview
- Key
- 9B · G major
- BPM
- 144
- Half-time
- 72
- Open Key
- 2d
- Energy
- 81/100
- Pop
- 10/100
- Length
- 5:03
- Released
- 2024
- Album
- Klub Jamz EP
- Genre
- Techno
- Loudness
- -6.7 dB
- Dynamics
- 13.4 dB
- ISRC
- GB6WQ2300170
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Real Flesh and Blood - Broom's Kick Edit: driving up-tempo techno, G major (9B), 144 BPM. Tonally it lands bright and euphoric. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 13 dB). Brighter than 99% of Mark Broom's catalogue. In a set it works best as a floor-filler.
- Tempo:
- faster than 98% of Mark Broom's catalogue
- Low end:
- more treble-tilted than 90% of Mark Broom's catalogue
- Reach:
- better known than 86% of Mark Broom's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 25%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 20%
- High
- 2.5-11 kHz
FAQ
What key is Real Flesh and Blood - Broom's Kick Edit in?
Real Flesh and Blood - Broom's Kick Edit by Mark Broom is in G major, or 9B on the Camelot wheel.
What BPM is Real Flesh and Blood - Broom's Kick Edit?
Real Flesh and Blood - Broom's Kick Edit runs at 144 BPM, a driving up-tempo track.
What mixes well with Real Flesh and Blood - Broom's Kick Edit?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is Real Flesh and Blood - Broom's Kick Edit good for peak time?
With energy 81 out of 100 at 144 BPM, it works best as a floor-filler.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 144 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 135-153 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 144 — beatmatch without a big tempo pull.
More techno
More from Mark Broom
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 144 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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