My People (Love Can Live Forever) - Mark Broom 4am Dub by Mark Broom cover art

My People (Love Can Live Forever) - Mark Broom 4am Dub

Mark Broom

30s preview

Key
1B · B major
BPM
127
Open Key
6d
Energy
71/100
Pop
0/100
Length
4:26
Released
2020
Album
My People (Love Can Live Forever) [Mark Broom Remixes]
Genre
Techno
Loudness
-7.2 dB
Dynamics
9.5 dB
ISRC
GBAHT2001033

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

My People (Love Can Live Forever) - Mark Broom 4am Dub: peak-time tempo techno, B major (1B), 127 BPM. Tonally it lands bright and euphoric. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. More underground than 99% of Mark Broom's catalogue. For programming, treat it as a floor-filler.

Groove:
groovier than 98% of Mark Broom's catalogue
Brightness:
brighter than 94% of Mark Broom's catalogue
Tempo:
slower than 77% of Mark Broom's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy71
Mood67Bright
Groove90
Acoustic0
Instrumental75
Live14
Speech26

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
39%
Low
30-130 Hz
25%
Low-mid
130-570 Hz
18%
Upper-mid
570 Hz-2.5 kHz
18%
High
2.5-11 kHz

FAQ

What key is My People (Love Can Live Forever) - Mark Broom 4am Dub in?

My People (Love Can Live Forever) - Mark Broom 4am Dub by Mark Broom is in B major, or 1B on the Camelot wheel.

What BPM is My People (Love Can Live Forever) - Mark Broom 4am Dub?

My People (Love Can Live Forever) - Mark Broom 4am Dub runs at 127 BPM, a peak-time tempo track.

What mixes well with My People (Love Can Live Forever) - Mark Broom 4am Dub?

From 1B it blends harmonically with 2B, 1A, 12B. Moving to 2B lifts the energy a step.

Is My People (Love Can Live Forever) - Mark Broom 4am Dub good for peak time?

With energy 71 out of 100 at 127 BPM, it works best as a floor-filler.

Mixes harmonically

1B12B · 2B · 1A

From 1B, 2B (F♯ major) lifts the energy a step; 1A (A♭ minor) settles into the relative minor; 12B (E major) cools the energy down a step.

#TrackKey·BPM

Every move from 1B

2BSimple Mix Upper
12BSimple Mix Downer
1ATonal Shift·
2ADiagonal Mix Upper
12ADiagonal Mix Downer
4ACompatible Tone·
3BHigh Energy Boost▲▲▲
11BHigh Energy Drain▼▼▼
4BParallel Key Upper▲▲
10BParallel Key Downer▼▼
8BTritone Jump▲▲
5BRelated Keyrisky

How to mix it

In 1B at 127 BPM: 2B (F♯ major) — move to 2B to push the floor harder; 1A (A♭ minor) — switch to 1A for a mood change without losing the groove; 12B (E major) — drop to 12B to bring the room down gently.

Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8B rather than 1B; below -5% it reads as 6B. With key lock on, it stays 1B across the whole range.

Programming: a floor-filler.

Similar tempo

Within ±3 BPM of 127 — beatmatch without a big tempo pull.

#TrackKey·BPM

More techno

#TrackKey·BPM

More from Mark Broom

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

Every insight on this page, for your own library.

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