Mark Broom & Drax - Section 2 - Alan Fitzpatrick Edit
- Key
- 9B · G major
- BPM
- 127
- Open Key
- 2d
- Energy
- 73/100
- Pop
- 13/100
- Length
- 7:08
- Released
- 2014
- Album
- Mark Broom & Drax - Section 2 (Alan Fitzpatrick Edit)
- Genre
- Techno
- Loudness
- -10.7 dB
- ISRC
- DEW641400030
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 127 BPM in G major (9B), Mark Broom & Drax - Section 2 - Alan Fitzpatrick Edit is a peak-time tempo techno production. The feel is dark and driving. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 2014 production that still circulates in sets. Darker than 96% of Mark Broom's catalogue.
- Reach:
- better known than 88% of Mark Broom's catalogue
- Tempo:
- slower than 77% of Mark Broom's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Mark Broom & Drax - Section 2 - Alan Fitzpatrick Edit in?
Mark Broom & Drax - Section 2 - Alan Fitzpatrick Edit by Mark Broom is in G major, or 9B on the Camelot wheel.
What BPM is Mark Broom & Drax - Section 2 - Alan Fitzpatrick Edit?
Mark Broom & Drax - Section 2 - Alan Fitzpatrick Edit runs at 127 BPM, a peak-time tempo track.
What mixes well with Mark Broom & Drax - Section 2 - Alan Fitzpatrick Edit?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is Mark Broom & Drax - Section 2 - Alan Fitzpatrick Edit good for peak time?
With energy 73 out of 100 at 127 BPM, it works best as a mid-set roller.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 127 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
More techno
More from Mark Broom
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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