LOAH (Mark Broom Dub Mix)
30s preview
- Key
- 9A · E minor
- BPM
- 130
- Open Key
- 2m
- Energy
- 75/100
- Pop
- 0/100
- Length
- 5:48
- Released
- 2019
- Album
- (I Find Myself Surrounded by) The Lunatics of Acid House (Mark Broom Mixes)
- Genre
- Techno
- Loudness
- -10.8 dB
- Dynamics
- 7.8 dB
- ISRC
- GBGNS1701751
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- LOAH (Mark Broom Acid Vocal Mix)original11A · 130
- LOAH (Mark Broom Acid Vocal Mix) - Editversion10A · 130
Against the original (11A at 130 BPM), this version holds the same tempo and moves the key from 11A to 9A.
LOAH (Mark Broom Dub Mix): peak-time tempo techno, E minor (9A), 130 BPM. The feel is dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. More underground than 99% of Mark Broom's catalogue. For programming, treat it as a mid-set roller.
- Brightness:
- darker than 95% of Mark Broom's catalogue
- Groove:
- less groove-driven than 92% of Mark Broom's catalogue
- Low end:
- more bass-heavy than 80% of Mark Broom's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 43%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 16%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is LOAH (Mark Broom Dub Mix) in?
LOAH (Mark Broom Dub Mix) by Mark Broom is in E minor, or 9A on the Camelot wheel.
What BPM is LOAH (Mark Broom Dub Mix)?
LOAH (Mark Broom Dub Mix) runs at 130 BPM, a peak-time tempo track.
What mixes well with LOAH (Mark Broom Dub Mix)?
From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.
Is LOAH (Mark Broom Dub Mix) good for peak time?
With energy 75 out of 100 at 130 BPM, it works best as a mid-set roller.
Mixes harmonically
9A → 8A · 10A · 9BFrom 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.
![Queen Of The Night (feat. Dani DeLion) [Radio Slave Remix] - Edit by Radio Slave cover art](https://i.scdn.co/image/ab67616d00001e02105e92a8b578920a3db84d20){kind=small}
How to mix it
In 9A at 130 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.
Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 130 — beatmatch without a big tempo pull.
![Hear Your Voice - [ Wex 10 ] Remix by D-Unity cover art](https://i.scdn.co/image/ab67616d00001e02c365ef0c9568682216d9b768){kind=small}
More techno
More from Mark Broom
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.