Got Me Working - Chris Finke Remix
30s preview
- BPM
- 126
- Open Key
- 4m
- Energy
- 78/100
- Pop
- 0/100
- Length
- 8:06
- Released
- 2009
- Album
- Got Me Working
- Genre
- Techno
- Loudness
- -11.2 dB
- Dynamics
- 12.7 dB
- ISRC
- NLCK40902092
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Got Me Workingoriginal11A · 126
- Got Me Working - Christopher Benjamin Reworkremix11A · 127
- Got Me Working - Paul Woolford Dub Mixversion10A · 127
Against the original (11A at 126 BPM), this version holds the same tempo in the same key.
At 126 BPM in F♯ minor (11A), Got Me Working - Chris Finke Remix is a club-tempo techno production. The feel is dark and driving. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 13 dB). A 2009 production that still circulates in sets. More underground than 99% of Mark Broom's catalogue. In a set it works best as a peak-time weapon.
- Tempo:
- slower than 88% of Mark Broom's catalogue
- Groove:
- groovier than 79% of Mark Broom's catalogue
- Brightness:
- darker than 77% of Mark Broom's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 41%
- Low
- 30-130 Hz
- 31%
- Low-mid
- 130-570 Hz
- 18%
- Upper-mid
- 570 Hz-2.5 kHz
- 10%
- High
- 2.5-11 kHz
FAQ
What key is Got Me Working - Chris Finke Remix in?
Got Me Working - Chris Finke Remix by Mark Broom is in F♯ minor, or 11A on the Camelot wheel.
What BPM is Got Me Working - Chris Finke Remix?
Got Me Working - Chris Finke Remix runs at 126 BPM, a club-tempo track.
What mixes well with Got Me Working - Chris Finke Remix?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is Got Me Working - Chris Finke Remix good for peak time?
With energy 78 out of 100 at 126 BPM, it works best as a peak-time weapon.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 126 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 78/100).
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More techno
More from Mark Broom
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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