Bull Stomp - Phil Weeks Ghetto Dub Edit
- BPM
- 126
- Open Key
- 3m
- Energy
- 79/100
- Pop
- 19/100
- Length
- 4:04
- Released
- 2019
- Album
- Bull Stomp
- Genre
- House
- Loudness
- -10.2 dB
- ISRC
- GBKQU1977691
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Bull Stomp - Ben Rau Remix Editremix11B · 126
- Bull Stomp - Editversion10A · 128
At 126 BPM in B minor (10A), Bull Stomp - Phil Weeks Ghetto Dub Edit is a club-tempo house production. Tonally it lands dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. The master keeps real dynamic headroom. Better known than 86% of Darius Syrossian's catalogue. In a set it works best as a peak-time weapon.
- Brightness:
- darker than 79% of Darius Syrossian's catalogue
- Energy:
- calmer than 76% of Darius Syrossian's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Bull Stomp - Phil Weeks Ghetto Dub Edit in?
Bull Stomp - Phil Weeks Ghetto Dub Edit by Darius Syrossian is in B minor, or 10A on the Camelot wheel.
What BPM is Bull Stomp - Phil Weeks Ghetto Dub Edit?
Bull Stomp - Phil Weeks Ghetto Dub Edit runs at 126 BPM, a club-tempo track.
What mixes well with Bull Stomp - Phil Weeks Ghetto Dub Edit?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Bull Stomp - Phil Weeks Ghetto Dub Edit good for peak time?
With energy 79 out of 100 at 126 BPM, it works best as a peak-time weapon.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 126 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 79/100).
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More house
More from Darius Syrossian
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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