Dancemaster
- Key
- 9B · G major
- BPM
- 128
- Open Key
- 2d
- Energy
- 86/100
- Pop
- 0/100
- Length
- 5:00
- Released
- 2022
- Genre
- Techno
- Loudness
- -10.2 dB
- ISRC
- GX4LG2100625
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Dancemaster runs 128 BPM in G major (9B), a peak-time tempo techno record. The feel is dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. The master keeps real dynamic headroom. More underground than 99% of Mark Broom's catalogue. For programming, treat it as a peak-time weapon.
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Dancemaster in?
Dancemaster by Mark Broom is in G major, or 9B on the Camelot wheel.
What BPM is Dancemaster?
Dancemaster runs at 128 BPM, a peak-time tempo track.
What mixes well with Dancemaster?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is Dancemaster good for peak time?
With energy 86 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 128 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 86/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More techno
More from Mark Broom
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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