We All Die - Carara, Kreisel Remix
30s preview
- Key
- 9A · E minor
- BPM
- 130
- Open Key
- 2m
- Energy
- 82/100
- Pop
- 0/100
- Length
- 8:22
- Released
- 2019
- Album
- We All Die
- Genre
- Techno
- Loudness
- -13.1 dB
- Dynamics
- 10.1 dB
- ISRC
- GBLV61911558
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- We All Dieoriginal11A · 133
- We All Die - AKKON Remixremix11A · 133
- We All Die - F-RONTAL Remixremix4A · 128
- We All Die - Soul Dendark Remixremix11A · 133
Against the original (11A at 133 BPM), this version runs 3 BPM slower and moves the key from 11A to 9A.
We All Die - Carara, Kreisel Remix runs 130 BPM in E minor (9A), a peak-time tempo techno record. It reads as dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. More underground than 99% of Marco Ginelli's catalogue. For programming, treat it as a peak-time weapon.
- Brightness:
- darker than 98% of Marco Ginelli's catalogue
- Groove:
- groovier than 87% of Marco Ginelli's catalogue
- Tempo:
- slower than 75% of Marco Ginelli's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 43%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 17%
- Upper-mid
- 570 Hz-2.5 kHz
- 12%
- High
- 2.5-11 kHz
FAQ
What key is We All Die - Carara, Kreisel Remix in?
We All Die - Carara, Kreisel Remix by Marco Ginelli is in E minor, or 9A on the Camelot wheel.
What BPM is We All Die - Carara, Kreisel Remix?
We All Die - Carara, Kreisel Remix runs at 130 BPM, a peak-time tempo track.
What mixes well with We All Die - Carara, Kreisel Remix?
From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.
Is We All Die - Carara, Kreisel Remix good for peak time?
With energy 82 out of 100 at 130 BPM, it works best as a peak-time weapon.
Mixes harmonically
9A → 8A · 10A · 9BFrom 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.
How to mix it
In 9A at 130 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.
Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 82/100).
Similar tempo
Within ±3 BPM of 130 — beatmatch without a big tempo pull.
More techno
More from Marco Ginelli
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
