Cosmic Sounds by Roman Adam cover art

Cosmic Sounds

Roman Adam

30s preview

Key
10A · B minor
BPM
130
Open Key
3m
Energy
81/100
Pop
9/100
Length
6:26
Released
2023
Genre
Techno
Loudness
-9.3 dB
Dynamics
11.7 dB
ISRC
US83Z2320113

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Cosmic Sounds runs 130 BPM in B minor (10A), a peak-time tempo techno record. The feel is dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). Darker than 99% of Roman Adam's catalogue. For programming, treat it as a peak-time weapon.

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy81
Mood4Dark
Groove79
Acoustic1
Instrumental89
Live12
Speech6

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
36%
Low
30-130 Hz
30%
Low-mid
130-570 Hz
19%
Upper-mid
570 Hz-2.5 kHz
15%
High
2.5-11 kHz

FAQ

What key is Cosmic Sounds in?

Cosmic Sounds by Roman Adam is in B minor, or 10A on the Camelot wheel.

What BPM is Cosmic Sounds?

Cosmic Sounds runs at 130 BPM, a peak-time tempo track.

What mixes well with Cosmic Sounds?

From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.

Is Cosmic Sounds good for peak time?

With energy 81 out of 100 at 130 BPM, it works best as a peak-time weapon.

Mixes harmonically

10A9A · 11A · 10B

From 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.

#Track

Every move from 10A

11ASimple Mix Upper
9ASimple Mix Downer
10BTonal Shift·
11BDiagonal Mix Upper
9BDiagonal Mix Downer
7BCompatible Tone·
12AHigh Energy Boost▲▲▲
8AHigh Energy Drain▼▼▼
1AParallel Key Upper▲▲
7AParallel Key Downer▼▼
5ATritone Jump▲▲
2ARelated Keyrisky

How to mix it

In 10A at 130 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.

Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 81/100).

Similar tempo

Within ±3 BPM of 130 — beatmatch without a big tempo pull.

More techno

More from Roman Adam

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track