That's Not Apoint
30s preview
- BPM
- 128
- Open Key
- 3m
- Energy
- 61/100
- Pop
- 0/100
- Length
- 7:00
- Released
- 2018
- Genre
- Techno
- Loudness
- -12.9 dB
- Dynamics
- 8.5 dB
- ISRC
- GBKQU1863834
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- That's Not Apoint - Noseda Remixremix4B · 128
That's Not Apoint is a peak-time tempo techno track in B minor (10A) at 128 BPM. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2018 production that still circulates in sets. More underground than 99% of Marco Ginelli's catalogue. In a set it works best as a mid-set roller.
- Low end:
- more bass-heavy than 99% of Marco Ginelli's catalogue
- Energy:
- calmer than 92% of Marco Ginelli's catalogue
- Tempo:
- slower than 86% of Marco Ginelli's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 56%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 13%
- Upper-mid
- 570 Hz-2.5 kHz
- 4%
- High
- 2.5-11 kHz
FAQ
What key is That's Not Apoint in?
That's Not Apoint by Marco Ginelli is in B minor, or 10A on the Camelot wheel.
What BPM is That's Not Apoint?
That's Not Apoint runs at 128 BPM, a peak-time tempo track.
What mixes well with That's Not Apoint?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is That's Not Apoint good for peak time?
With energy 61 out of 100 at 128 BPM, it works best as a mid-set roller.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 128 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More techno
More from Marco Ginelli
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
