HATE - El Erion, Ann Darkspace Remix
30s preview
- Key
- 9A · E minor
- BPM
- 128
- Open Key
- 2m
- Energy
- 88/100
- Pop
- 0/100
- Length
- 6:44
- Released
- 2018
- Album
- HATE
- Genre
- Techno
- Loudness
- -8.0 dB
- Dynamics
- 12.0 dB
- ISRC
- CA5KR1817117
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- HATE - Atze Ton Remixremix10B · 130
- HATE - Bjorn Zimmermann Remixremix10B · 130
- HATE - Volodia Rizak Remixremix8B · 130
- HATE - Volodia Rizak Vokal Mixoriginal8B · 130
- HATEoriginal11A · 130
Against the original (8B at 130 BPM), this version runs 2 BPM slower and moves the key from 8B to 9A.
A peak-time tempo techno cut, HATE - El Erion, Ann Darkspace Remix sits in E minor (9A) at 128 BPM. It reads as punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). A 2018 production that still circulates in sets. More underground than 99% of Marco Ginelli's catalogue. In a set it works best as a peak-time weapon.
- Low end:
- more treble-tilted than 98% of Marco Ginelli's catalogue
- Brightness:
- brighter than 91% of Marco Ginelli's catalogue
- Tempo:
- slower than 86% of Marco Ginelli's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 33%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is HATE - El Erion, Ann Darkspace Remix in?
HATE - El Erion, Ann Darkspace Remix by Marco Ginelli is in E minor, or 9A on the Camelot wheel.
What BPM is HATE - El Erion, Ann Darkspace Remix?
HATE - El Erion, Ann Darkspace Remix runs at 128 BPM, a peak-time tempo track.
What mixes well with HATE - El Erion, Ann Darkspace Remix?
From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.
Is HATE - El Erion, Ann Darkspace Remix good for peak time?
With energy 88 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
9A → 8A · 10A · 9BFrom 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.
How to mix it
In 9A at 128 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 88/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More techno
More from Marco Ginelli
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
