HATE - Atze Ton Remix
30s preview
- BPM
- 130
- Open Key
- 3d
- Energy
- 62/100
- Pop
- 0/100
- Length
- 6:16
- Released
- 2018
- Album
- HATE
- Genre
- Techno
- Loudness
- -9.3 dB
- Dynamics
- 7.8 dB
- ISRC
- CA5KR1817115
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- HATE - Bjorn Zimmermann Remixremix10B · 130
- HATE - El Erion, Ann Darkspace Remixremix9A · 128
- HATE - Volodia Rizak Remixremix8B · 130
- HATE - Volodia Rizak Vokal Mixoriginal8B · 130
- HATEoriginal11A · 130
Against the original (8B at 130 BPM), this version holds the same tempo and moves the key from 8B to 10B.
HATE - Atze Ton Remix is a peak-time tempo techno track in D major (10B) at 130 BPM. The feel is dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2018 production that still circulates in sets. More underground than 99% of Marco Ginelli's catalogue. For programming, treat it as a mid-set roller.
- Brightness:
- darker than 92% of Marco Ginelli's catalogue
- Energy:
- calmer than 91% of Marco Ginelli's catalogue
- Low end:
- more bass-heavy than 91% of Marco Ginelli's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 47%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 15%
- Upper-mid
- 570 Hz-2.5 kHz
- 9%
- High
- 2.5-11 kHz
FAQ
What key is HATE - Atze Ton Remix in?
HATE - Atze Ton Remix by Marco Ginelli is in D major, or 10B on the Camelot wheel.
What BPM is HATE - Atze Ton Remix?
HATE - Atze Ton Remix runs at 130 BPM, a peak-time tempo track.
What mixes well with HATE - Atze Ton Remix?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is HATE - Atze Ton Remix good for peak time?
With energy 62 out of 100 at 130 BPM, it works best as a mid-set roller.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 130 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 130 — beatmatch without a big tempo pull.
More techno
More from Marco Ginelli
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
