Blood & Dread - Sopik Remix
- BPM
- 130
- Open Key
- 8m
- Energy
- 66/100
- Pop
- 0/100
- Length
- 6:44
- Released
- 2018
- Album
- Blood & Dread
- Genre
- Techno
- Loudness
- -9.8 dB
- ISRC
- USLZJ1842063
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Blood & Dread - Champas Remixremix3A · 133
- Blood & Dread - Kai Pattenberg Remixremix1B · 128
- Blood & Dread - Kolt Us Remixremix3B · 129
- Blood & Dread - Lash (HU) Remixremix10B · 130
- Blood & Dread - Roby M Rage Remixremix10A · 132
- Blood & Dreadoriginal10A · 132
Against the original (10A at 132 BPM), this version runs 2 BPM slower and moves the key from 10A to 3A.
Blood & Dread - Sopik Remix: peak-time tempo techno, B♭ minor (3A), 130 BPM. The groove is strong and floor-ready. The mix is almost entirely instrumental. A 2018 production that still circulates in sets. More underground than 99% of Marco Ginelli's catalogue. In a set it works best as a mid-set roller.
- Brightness:
- darker than 92% of Marco Ginelli's catalogue
- Energy:
- calmer than 88% of Marco Ginelli's catalogue
- Tempo:
- slower than 75% of Marco Ginelli's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Blood & Dread - Sopik Remix in?
Blood & Dread - Sopik Remix by Marco Ginelli is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Blood & Dread - Sopik Remix?
Blood & Dread - Sopik Remix runs at 130 BPM, a peak-time tempo track.
What mixes well with Blood & Dread - Sopik Remix?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Blood & Dread - Sopik Remix good for peak time?
With energy 66 out of 100 at 130 BPM, it works best as a mid-set roller.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 130 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 130 — beatmatch without a big tempo pull.
More techno
More from Marco Ginelli
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
