Blessed by Marco Faraone cover art

30s preview

Key
8B · C major
BPM
83
Double-time
166
Open Key
1d
Energy
22/100
Pop
0/100
Length
5:24
Released
2020
Album
HOPE (Inspired by ‘The Outlaw Ocean’ a book by Ian Urbina)
Genre
Acid
Loudness
-14.0 dB
Dynamics
9.9 dB
ISRC
QMGR32194165

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Blessed: downtempo acid, C major (8B), 83 BPM. The groove is loose and less beat-driven. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. Calmer than 99% of Marco Faraone's catalogue. In a set it works best as a warm-up or breakdown cut.

Tempo:
slower than 99% of Marco Faraone's catalogue
Groove:
less groove-driven than 99% of Marco Faraone's catalogue
Brightness:
darker than 99% of Marco Faraone's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy22
Mood3Dark
Groove12
Acoustic31
Instrumental85
Live7
Speech4

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
53%
Low
30-130 Hz
30%
Low-mid
130-570 Hz
16%
Upper-mid
570 Hz-2.5 kHz
0%
High
2.5-11 kHz

FAQ

What key is Blessed in?

Blessed by Marco Faraone is in C major, or 8B on the Camelot wheel.

What BPM is Blessed?

Blessed runs at 83 BPM, a downtempo track.

What mixes well with Blessed?

From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.

Is Blessed good for peak time?

With energy 22 out of 100 at 83 BPM, it works best as a warm-up or breakdown cut.

Mixes harmonically

8B7B · 9B · 8A

From 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.

#TrackKey·BPM

Every move from 8B

9BSimple Mix Upper
7BSimple Mix Downer
8ATonal Shift·
9ADiagonal Mix Upper
7ADiagonal Mix Downer
11ACompatible Tone·
10BHigh Energy Boost▲▲▲
6BHigh Energy Drain▼▼▼
11BParallel Key Upper▲▲
5BParallel Key Downer▼▼
3BTritone Jump▲▲
12BRelated Keyrisky

How to mix it

In 8B at 83 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.

Pitch range at ±6%: 78-88 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.

Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.

Similar tempo

Within ±3 BPM of 83 — beatmatch without a big tempo pull.

#TrackKey·BPM

More acid

#TrackKey·BPM

More from Marco Faraone

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 83 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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