Metamorfosa
30s preview
- Key
- 8A · A minor
- BPM
- 120
- Open Key
- 1m
- Energy
- 22/100
- Pop
- 3/100
- Length
- 5:25
- Released
- 2023
- Genre
- Electro
- Label
- Hyperharmonic
- Loudness
- -15.3 dB
- Dynamics
- 12.1 dB
- ISRC
- DEPI82302233
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 120 BPM in A minor (8A), Metamorfosa is a club-tempo electro production. Tonally it lands brooding and low-slung. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 12 dB). Calmer than 98% of Marc Romboy's catalogue. In a set it works best as a warm-up or breakdown cut.
- Brightness:
- darker than 97% of Marc Romboy's catalogue
- Tempo:
- slower than 90% of Marc Romboy's catalogue
- Low end:
- more bass-heavy than 86% of Marc Romboy's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 46%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 5%
- High
- 2.5-11 kHz
FAQ
What key is Metamorfosa in?
Metamorfosa by Marc Romboy is in A minor, or 8A on the Camelot wheel.
What BPM is Metamorfosa?
Metamorfosa runs at 120 BPM, a club-tempo track.
What mixes well with Metamorfosa?
From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.
Is Metamorfosa good for peak time?
With energy 22 out of 100 at 120 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
8A → 7A · 9A · 8BFrom 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.
How to mix it
In 8A at 120 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.
Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 120 — beatmatch without a big tempo pull.
More electro
More from Marc Romboy
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
