Life Inside a cube (original mix)
30s preview
- BPM
- 129
- Open Key
- 8d
- Energy
- 95/100
- Pop
- 4/100
- Length
- 7:29
- Released
- 2012
- Genre
- Progressive Trance
- Loudness
- -7.2 dB
- Dynamics
- 9.4 dB
- ISRC
- GBEWA1200451
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Life Inside a cube (original mix) runs 129 BPM in D♭ major (3B), a peak-time tempo progressive trance record. Tonally it lands dark and driving. The groove is strong and floor-ready. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2012 production that still circulates in sets. Groovier than 91% of Maor Levi's catalogue. For programming, treat it as a peak-time weapon.
- Low end:
- more bass-heavy than 91% of Maor Levi's catalogue
- Energy:
- hotter than 88% of Maor Levi's catalogue
- Brightness:
- darker than 88% of Maor Levi's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is Life Inside a cube (original mix) in?
Life Inside a cube (original mix) by Maor Levi is in D♭ major, or 3B on the Camelot wheel.
What BPM is Life Inside a cube (original mix)?
Life Inside a cube (original mix) runs at 129 BPM, a peak-time tempo track.
What mixes well with Life Inside a cube (original mix)?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Life Inside a cube (original mix) good for peak time?
With energy 95 out of 100 at 129 BPM, it works best as a peak-time weapon.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 129 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 121-137 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 95/100).
Similar tempo
Within ±3 BPM of 129 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 129 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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