Berlinition - Flashback Radio Mix
30s preview
- BPM
- 128
- Open Key
- 8m
- Energy
- 94/100
- Pop
- 3/100
- Length
- 3:30
- Released
- 2016
- Album
- Berlinition
- Genre
- Trance
- Loudness
- -5.2 dB
- Dynamics
- 15.0 dB
- ISRC
- DEQ691600107
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Berlinition - PvD Club Mix Radio Editversion8A · 138
- Berlinition - PvD Club Mixversion9B · 138
- Berlinition - Berlin White Tech Mixoriginal8B · 128
- Berlinition - Berlin White Tech Radio Mixversion6A · 128
- Berlinition - Flashback Remixremix3A · 128
Against the original (8B at 128 BPM), this version holds the same tempo and moves the key from 8B to 3A.
At 128 BPM in B♭ minor (3A), Berlinition - Flashback Radio Mix is a peak-time tempo trance production. The feel is punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. The master keeps unusual dynamic range for club music (crest 15 dB). A 2016 production that still circulates in sets. More treble-tilted than 96% of Paul van Dyk's catalogue. In a set it works best as a peak-time weapon.
- Tempo:
- slower than 94% of Paul van Dyk's catalogue
- Groove:
- groovier than 91% of Paul van Dyk's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 27%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is Berlinition - Flashback Radio Mix in?
Berlinition - Flashback Radio Mix by Paul van Dyk is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Berlinition - Flashback Radio Mix?
Berlinition - Flashback Radio Mix runs at 128 BPM, a peak-time tempo track.
What mixes well with Berlinition - Flashback Radio Mix?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Berlinition - Flashback Radio Mix good for peak time?
With energy 94 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 128 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 94/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More trance
More from Paul van Dyk
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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