SLA9 by Markus Schulz cover art

30s preview

Key
11A · F♯ minor
BPM
129
Open Key
4m
Energy
91/100
Pop
0/100
Length
6:21
Released
2007
Genre
Trance
Loudness
-9.5 dB
Dynamics
16.8 dB
ISRC
NLF710701417

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

SLA9 runs 129 BPM in F♯ minor (11A), a peak-time tempo trance record. The feel is punchy, neutral in mood. The mix is almost entirely instrumental. The timbre leans dark. The master keeps unusual dynamic range for club music (crest 17 dB). A 2007 production that still circulates in sets. More underground than 99% of Markus Schulz's catalogue. In a set it works best as a peak-time weapon.

Brightness:
brighter than 91% of Markus Schulz's catalogue
Low end:
more treble-tilted than 80% of Markus Schulz's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy91
Mood42Balanced
Groove62
Acoustic3
Instrumental96
Live50
Speech4
darkpartyinstrumental

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
31%
Low
30-130 Hz
27%
Low-mid
130-570 Hz
23%
Upper-mid
570 Hz-2.5 kHz
19%
High
2.5-11 kHz

FAQ

What key is SLA9 in?

SLA9 by Markus Schulz is in F♯ minor, or 11A on the Camelot wheel.

What BPM is SLA9?

SLA9 runs at 129 BPM, a peak-time tempo track.

What mixes well with SLA9?

From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.

Is SLA9 good for peak time?

With energy 91 out of 100 at 129 BPM, it works best as a peak-time weapon.

Mixes harmonically

11A10A · 12A · 11B

From 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.

#TrackKey·BPM

Every move from 11A

12ASimple Mix Upper
10ASimple Mix Downer
11BTonal Shift·
12BDiagonal Mix Upper
10BDiagonal Mix Downer
8BCompatible Tone·
1AHigh Energy Boost▲▲▲
9AHigh Energy Drain▼▼▼
2AParallel Key Upper▲▲
8AParallel Key Downer▼▼
6ATritone Jump▲▲
3ARelated Keyrisky

How to mix it

In 11A at 129 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.

Pitch range at ±6%: 121-137 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 91/100).

Similar tempo

Within ±3 BPM of 129 — beatmatch without a big tempo pull.

More trance

More from Markus Schulz

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 129 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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