Ordinary Things
30s preview
- BPM
- 122
- Open Key
- 7d
- Energy
- 60/100
- Pop
- 0/100
- Length
- 6:10
- Released
- 2017
- Album
- Teaser
- Genre
- Deep House
- Label
- Natura Viva
- Loudness
- -10.2 dB
- Dynamics
- 9.3 dB
- ISRC
- GBLV61642780
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Ordinary Thingsoriginal2B · 122
Ordinary Things is a club-tempo deep house track in F♯ major (2B) at 122 BPM. It reads as dark and steady. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2017 production that still circulates in sets. Calmer than 99% of Lilly Palmer's catalogue. In a set it works best as a mid-set roller.
- Tempo:
- slower than 99% of Lilly Palmer's catalogue
- Reach:
- more underground than 99% of Lilly Palmer's catalogue
- Groove:
- groovier than 97% of Lilly Palmer's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 43%
- Low
- 30-130 Hz
- 31%
- Low-mid
- 130-570 Hz
- 16%
- Upper-mid
- 570 Hz-2.5 kHz
- 10%
- High
- 2.5-11 kHz
FAQ
What key is Ordinary Things in?
Ordinary Things by Lilly Palmer is in F♯ major, or 2B on the Camelot wheel.
What BPM is Ordinary Things?
Ordinary Things runs at 122 BPM, a club-tempo track.
What mixes well with Ordinary Things?
From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.
Is Ordinary Things good for peak time?
With energy 60 out of 100 at 122 BPM, it works best as a mid-set roller.
Mixes harmonically
2B → 1B · 3B · 2AFrom 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.
![Line Of Fire (feat. Karin Park) [Dance Cult Remix] by Booka Shade cover art](https://i.scdn.co/image/ab67616d00001e0292e8a11b85530fdcb97198c1){kind=small}
How to mix it
In 2B at 122 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.
Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 122 — beatmatch without a big tempo pull.
More deep house
More from Lilly Palmer
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
