fireflies (for as far as we could see) (edit)
- BPM
- 124
- Open Key
- 3d
- Energy
- 75/100
- Pop
- 10/100
- Length
- 8:50
- Released
- 2023
- Genre
- Progressive House
- Loudness
- -11.7 dB
- ISRC
- GBEWA2208172
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
fireflies (for as far as we could see) (edit) runs 124 BPM in D major (10B), a club-tempo progressive house record. The feel is dark and driving. The mix is almost entirely instrumental. The master keeps real dynamic headroom. Darker than 94% of Leaving Laurel's catalogue.
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is fireflies (for as far as we could see) (edit) in?
fireflies (for as far as we could see) (edit) by Leaving Laurel is in D major, or 10B on the Camelot wheel.
What BPM is fireflies (for as far as we could see) (edit)?
fireflies (for as far as we could see) (edit) runs at 124 BPM, a club-tempo track.
What mixes well with fireflies (for as far as we could see) (edit)?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is fireflies (for as far as we could see) (edit) good for peak time?
With energy 75 out of 100 at 124 BPM, it works best as a mid-set roller.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 124 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
More progressive house
More from Leaving Laurel
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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