TIRED OF WAITING FOR YOU - STEREO
30s preview
- Key
- 1B · B major
- BPM
- 119
- Open Key
- 6d
- Energy
- 83/100
- Pop
- 0/100
- Length
- 2:35
- Released
- 2021
- Album
- ザ・キンクス・グレイテスト・ヒッツ
- Genre
- Techno
- Loudness
- -7.5 dB
- Dynamics
- 12.9 dB
- ISRC
- TCJPA2484070
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Tired of Waiting for You (2014 Remaster)original8B · 122
- Tired of Waiting for You - 2023 Remasteroriginal8B · 122
- TIRED OF WAITING FOR YOU - MONOoriginal1B · 119
- Tired Of Waiting For You - Live in London April 20th, 1965original8B · 130
- Tired of Waiting for Youoriginal8B · 122
- Tired Of Waiting For Youoriginal8B · 122
TIRED OF WAITING FOR YOU - STEREO runs 119 BPM in B major (1B), a club-tempo techno record. Tonally it lands bright and euphoric. It is vocal-led. The master keeps unusual dynamic range for club music (crest 13 dB). More underground than 99% of Kink's catalogue. In a set it works best as a mid-set roller.
- Energy:
- hotter than 76% of Kink's catalogue
- Groove:
- groovier than 76% of Kink's catalogue
- Brightness:
- brighter than 76% of Kink's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 28%
- Low
- 30-130 Hz
- 31%
- Low-mid
- 130-570 Hz
- 25%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is TIRED OF WAITING FOR YOU - STEREO in?
TIRED OF WAITING FOR YOU - STEREO by Kink is in B major, or 1B on the Camelot wheel.
What BPM is TIRED OF WAITING FOR YOU - STEREO?
TIRED OF WAITING FOR YOU - STEREO runs at 119 BPM, a club-tempo track.
What mixes well with TIRED OF WAITING FOR YOU - STEREO?
From 1B it blends harmonically with 2B, 1A, 12B. Moving to 2B lifts the energy a step.
Is TIRED OF WAITING FOR YOU - STEREO good for peak time?
With energy 83 out of 100 at 119 BPM, it works best as a mid-set roller.
Mixes harmonically
1B → 12B · 2B · 1AFrom 1B, 2B (F♯ major) lifts the energy a step; 1A (A♭ minor) settles into the relative minor; 12B (E major) cools the energy down a step.
How to mix it
In 1B at 119 BPM: 2B (F♯ major) — move to 2B to push the floor harder; 1A (A♭ minor) — switch to 1A for a mood change without losing the groove; 12B (E major) — drop to 12B to bring the room down gently.
Pitch range at ±6%: 112-126 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8B rather than 1B; below -5% it reads as 6B. With key lock on, it stays 1B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 119 — beatmatch without a big tempo pull.
More techno
More from Kink
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 119 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
