Tired of Waiting for You
30s preview
- Key
- 8B · C major
- BPM
- 122
- Open Key
- 1d
- Energy
- 59/100
- Pop
- 0/100
- Length
- 2:34
- Released
- 2020
- Album
- Solid Gold Kinks
- Genre
- Techno
- Loudness
- -12.7 dB
- Dynamics
- 15.6 dB
- ISRC
- AUXN22118500
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Tired of Waiting for You (2014 Remaster)original8B · 122
- Tired of Waiting for You - 2023 Remasteroriginal8B · 122
- TIRED OF WAITING FOR YOU - MONOoriginal1B · 119
- TIRED OF WAITING FOR YOU - STEREOoriginal1B · 119
- Tired Of Waiting For You - Live in London April 20th, 1965original8B · 130
- Tired Of Waiting For Youoriginal8B · 122
Tired of Waiting for You: club-tempo techno, C major (8B), 122 BPM. It is vocal-led. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 16 dB). More underground than 99% of Kink's catalogue. In a set it works best as a mid-set roller.
- Groove:
- groovier than 86% of Kink's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 29%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 25%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Tired of Waiting for You in?
Tired of Waiting for You by Kink is in C major, or 8B on the Camelot wheel.
What BPM is Tired of Waiting for You?
Tired of Waiting for You runs at 122 BPM, a club-tempo track.
What mixes well with Tired of Waiting for You?
From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.
Is Tired of Waiting for You good for peak time?
With energy 59 out of 100 at 122 BPM, it works best as a mid-set roller.
Mixes harmonically
8B → 7B · 9B · 8AFrom 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.
How to mix it
In 8B at 122 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.
Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 122 — beatmatch without a big tempo pull.
More techno
More from Kink
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
