Over and Out
- BPM
- 123
- Open Key
- 7m
- Energy
- 86/100
- Pop
- 6/100
- Length
- 8:41
- Released
- 2013
- Genre
- Techno
- Loudness
- -9.0 dB
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Over and Out is a club-tempo techno track in E♭ minor (2A) at 123 BPM. The feel is dark and driving. Vocals read as instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2013 production that still circulates in sets. Darker than 96% of Kink's catalogue. For programming, treat it as a mid-set roller.
- Reach:
- better known than 82% of Kink's catalogue
- Energy:
- hotter than 81% of Kink's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Over and Out in?
Over and Out by Kink is in E♭ minor, or 2A on the Camelot wheel.
What BPM is Over and Out?
Over and Out runs at 123 BPM, a club-tempo track.
What mixes well with Over and Out?
From 2A it blends harmonically with 3A, 2B, 1A. Moving to 3A lifts the energy a step.
Is Over and Out good for peak time?
With energy 86 out of 100 at 123 BPM, it works best as a mid-set roller.
Mixes harmonically
2A → 1A · 3A · 2BFrom 2A, 3A (B♭ minor) lifts the energy a step; 2B (F♯ major) brightens to the relative major; 1A (A♭ minor) cools the energy down a step.
How to mix it
In 2A at 123 BPM: 3A (B♭ minor) — move to 3A to push the floor harder; 2B (F♯ major) — switch to 2B for a mood change without losing the groove; 1A (A♭ minor) — drop to 1A to bring the room down gently.
Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9A rather than 2A; below -5% it reads as 7A. With key lock on, it stays 2A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 123 — beatmatch without a big tempo pull.
More techno
More from Kink
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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