Wish I Didn't Miss You
30s preview
- Key
- 5A · C minor
- BPM
- 122
- Open Key
- 10m
- Energy
- 82/100
- Pop
- 25/100
- Length
- 3:58
- Released
- 2024
- Genre
- House
- Loudness
- -3.9 dB
- Dynamics
- 8.4 dB
- ISRC
- GBPQS2400309
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Wish I Didn't Miss You - Extended Mixversion6B · 122
A club-tempo house cut, Wish I Didn't Miss You sits in C minor (5A) at 122 BPM. Tonally it lands punchy, neutral in mood. Rhythmically it is built for the dancefloor. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. Slower than 96% of Kevin McKay's catalogue. In a set it works best as a floor-filler.
- Reach:
- better known than 93% of Kevin McKay's catalogue
- Groove:
- less groove-driven than 77% of Kevin McKay's catalogue
- Brightness:
- darker than 76% of Kevin McKay's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Wish I Didn't Miss You in?
Wish I Didn't Miss You by Kevin McKay is in C minor, or 5A on the Camelot wheel.
What BPM is Wish I Didn't Miss You?
Wish I Didn't Miss You runs at 122 BPM, a club-tempo track.
What mixes well with Wish I Didn't Miss You?
From 5A it blends harmonically with 6A, 5B, 4A. Moving to 6A lifts the energy a step.
Is Wish I Didn't Miss You good for peak time?
With energy 82 out of 100 at 122 BPM, it works best as a floor-filler.
Mixes harmonically
5A → 4A · 6A · 5BFrom 5A, 6A (G minor) lifts the energy a step; 5B (E♭ major) brightens to the relative major; 4A (F minor) cools the energy down a step.
How to mix it
In 5A at 122 BPM: 6A (G minor) — move to 6A to push the floor harder; 5B (E♭ major) — switch to 5B for a mood change without losing the groove; 4A (F minor) — drop to 4A to bring the room down gently.
Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 12A rather than 5A; below -5% it reads as 10A. With key lock on, it stays 5A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 122 — beatmatch without a big tempo pull.
More house
![No Drama [extended mix] by James Hype cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/cd9f05e6416537babf2e.webp){kind=small}
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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