Unexpected - Mike Wall Remix
30s preview
- Key
- 9B · G major
- BPM
- 127
- Open Key
- 2d
- Energy
- 48/100
- Pop
- 1/100
- Length
- 6:32
- Released
- 2015
- Album
- The Story of the Last Lion
- Genre
- Techno
- Label
- Wall Music
- Loudness
- -15.0 dB
- Dynamics
- 9.2 dB
- ISRC
- DEH741502120
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Unexpectedoriginal3B · 128
Against the original (3B at 128 BPM), this version runs 1 BPM slower and moves the key from 3B to 9B.
At 127 BPM in G major (9B), Unexpected - Mike Wall Remix is a peak-time tempo techno production. Tonally it lands dark and steady. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2015 production that still circulates in sets. Calmer than 93% of Kevin de Vries's catalogue. In a set it works best as a mid-set roller.
- Low end:
- more bass-heavy than 91% of Kevin de Vries's catalogue
- Reach:
- more underground than 82% of Kevin de Vries's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 50%
- Low
- 30-130 Hz
- 31%
- Low-mid
- 130-570 Hz
- 13%
- Upper-mid
- 570 Hz-2.5 kHz
- 6%
- High
- 2.5-11 kHz
FAQ
What key is Unexpected - Mike Wall Remix in?
Unexpected - Mike Wall Remix by Kevin de Vries is in G major, or 9B on the Camelot wheel.
What BPM is Unexpected - Mike Wall Remix?
Unexpected - Mike Wall Remix runs at 127 BPM, a peak-time tempo track.
What mixes well with Unexpected - Mike Wall Remix?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is Unexpected - Mike Wall Remix good for peak time?
With energy 48 out of 100 at 127 BPM, it works best as a mid-set roller.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 127 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
More techno
More from Kevin de Vries
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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