Let Him In (Kaoz 6:23 Mix)
30s preview
- BPM
- 125
- Open Key
- 7d
- Energy
- 92/100
- Pop
- 2/100
- Length
- 5:40
- Released
- 2003
- Genre
- Deep House
- Loudness
- -4.9 dB
- Dynamics
- 12.1 dB
- ISRC
- USA670400315
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 125 BPM in F♯ major (2B), Let Him In (Kaoz 6:23 Mix) is a club-tempo deep house production. It reads as bright and euphoric. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 12 dB). A 2003 production that still circulates in sets. Less groove-driven than 96% of Kerri Chandler's catalogue. For programming, treat it as a peak-time weapon.
- Brightness:
- brighter than 94% of Kerri Chandler's catalogue
- Energy:
- hotter than 87% of Kerri Chandler's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is Let Him In (Kaoz 6:23 Mix) in?
Let Him In (Kaoz 6:23 Mix) by Kerri Chandler is in F♯ major, or 2B on the Camelot wheel.
What BPM is Let Him In (Kaoz 6:23 Mix)?
Let Him In (Kaoz 6:23 Mix) runs at 125 BPM, a club-tempo track.
What mixes well with Let Him In (Kaoz 6:23 Mix)?
From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.
Is Let Him In (Kaoz 6:23 Mix) good for peak time?
With energy 92 out of 100 at 125 BPM, it works best as a peak-time weapon.
Mixes harmonically
2B → 1B · 3B · 2AFrom 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.
![Deep Burnt (feat. Axel Tosca) - [Jazzy Version] [Short Mix] by Louie Vega cover art](https://i.scdn.co/image/ab67616d00001e021acbb69d600688e3521c35c7){kind=small}
How to mix it
In 2B at 125 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 92/100).
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More deep house
![All Night Long [extended mix] by Marsh cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/764397c5f01ad2badd82.webp){kind=small}
More from Kerri Chandler
Full profile
![The Morning Heat [La Grange] - Main Mix by Kerri Chandler cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/bb58f90a6bba632acaf6.webp){kind=small}
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.